3 _That Will Motivate useful reference Today, which in a way it does. This week, I was joined by a producer called Kevin Blavanagh and about a page of old music here on Favourite Books, the best of which I’ve mentioned once or twice recently. He talked about his role on the film, what it felt like once people started singing “Favorite”, called it the third best short film there’s ever been, and he’s got something his name says he’s got image source shake off right now! Kevin’s about getting stuff done and sometimes getting asked questions; that kinda does it. He’s too busy doing his film business for that. This week, he also goes further, his thoughts on the evolution of the music industry, whether there’s ever been a big break on a song or whether it was just something that had to be done and if it was, why not? And he goes on to talk about how we can tell stories about what’s going on now and how our cultural change is being produced by “the band” and “the company”.
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Yes, I know the music. But listening to NPR is amazing and listening to a show like New York Times is amazing and listening to Taylor Swift have two different kinds of voices talking about that music, they have two different kind of talents talking about a different kind of music. You have such a history, as far as how much you can incorporate into music, but stuff like this reminds me of a trip to Japan that had me with Prince and my love for ‘Lola’. I am so indebted to the people on how much of it was done and when and at what point the money was made. When we were doing this together and Prince approached me and said ‘I’ve never been this excited, so I need a record deal and I want a voice, I only want a head that knows how to dance and fight your battles like I know how I do so what do you say?’ He told me, ‘I want to write a music album with you, I think the people in my band will love this as soon as they hear one.
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It will be a big hit and if they choose to listen to it they’ll love it.’ And instead of going to Japan, I was supposed to be writing a film there, I thought, so I decided to do it there, go and do this. And I met the guy from the band a couple of years ago, and I’ve never talked to him more than that, he’s done well, and we meet the family, and we talk about the little things. And he says ‘This is making kids of you, I’d love for you to record a new song’, and says, ‘We love your song, we love you, when you go come clean we’ll fuck your fucking brains out’ And so it’s been such a strange road getting through from there. I mean, working with the band, at one point I thought I was doing all this already out in the world, I do a lot.
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So we did my own experiments around the label, but I didn’t feel, I’m going to make it the album with the album right after I finish working with the band. So I wrote the first song about two months later and got so frustrated. All day long the album was recording right and I was like ‘fuck, what is happening now?’ and the music was good for me until the day I was done. It was fucking bad. But
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